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Arresting Cinema: Surveillance in Hong Kong Film de Karen Fang
Descripción - Críticas 'Karen Fang's Arresting Cinema: Surveillance in Hong Kong Film is a welcome contribution to the ever-growing discussion of surveillance culture, particularly as reflected in narrative cinema...Arresting Cinema makes a convincing case that discussions of surveillance and cinema would benefit from analyses more grounded in specific historical-cultural contexts of surveillance and of film production. In doing so, it provides a historiographical summary of films that will be of great value in the study of surveillance and surveillance cinema, as well as a useful framework for discussions of Hong Kong film.' -- Catherine Zimmer * Film Quarterly * 'Karen Fang's Arresting Cinema breaks new ground in the contemporary surveillance era and makes available to a wider audience a film genre that is relevant well beyond its area focus. As a result, it will be an edifying resource both for area specialists and practitioners and students in diverse disciplines. Conceptually sophisticated yet accessibly written, the book is both timely and of enduring value.' -- Michael J. Shapiro * University of Hawai'i at Manoa * 'Professor Karen Fang tackles the history of this aspect of the metropolis in her new book, Arresting Cinema: Surveillance in Hong Kong Film. She shows that Hong Kong has for decades been a metropolis where the movements of people have been tracked by watchful eyes, and she zooms in on how the movie industry has documented the progression of surveillance techniques from the days of black and white film to the present...in short, [this book] has much to offer both to those, like me, always fascinated by the city that is its focus and those who may not realize before reading it just how significant the place has been and remains.' -- Susan Blumberg-Kason * The China Blog * 'An incisive, insightful consideration of a regional cinema that inspires thinking on a much larger scale. Karen Fang's study of surveillance culture in Hong Kong films offers not only a refreshing perspective on world cinema but also, in tracking how Hong Kong is coming to terms with dramatic changes, a challenge to view the globalized world through a new lens.' -- Sam Ho, Former Programmer * Hong Kong Film Archive * 'Karen Fang's Arresting Cinema provides a long overdue theoretical intervention in Surveillance Studies by 'provincializing' the existing Western bias in studies of surveillance cinema' -- Anita Lam * Surveillance and Society * '[T]he author has deftly reconceptualized the cinema through various lens of surveillance. Based on an array of interdisciplinary references from film criticisms to local history as seen in the bibliography, her methodology is both diegetic and extradiegetic, analyzing not only contents of narrative and image but also context of production and reception as well' -- Howard Y.F. Choy * China Review International * 'Hong Kong films love to look: through windows, across courtyards, over ledges, down gun barrels, into mirrors, and around corners. I always knew that, but never gave it much thought until I read Karen Fang's innovative, refreshing, and yes, Arresting Cinema. Fang's analysis offers an essential complement to Western scholarship on cinema and surveillance.' -- Michael Curtin * University of California, Santa Barbara * Reseña del editor When Ridley Scott envisioned Blade Runner's set as 'Hong Kong on a bad day,' he nodded to the city's overcrowding as well as its widespread use of surveillance. But while Scott brought Hong Kong and surveillance into the global film repertoire, the city's own cinema has remained outside of the global surveillance discussion. In Arresting Cinema, Karen Fang delivers a unifying account of Hong Kong cinema that draws upon its renowned crime films and other unique genres to demonstrate Hong Kong's view of surveillance. She argues that Hong Kong's films display a tolerance of-and even opportunism towards-the soft cage of constant observation, unlike the fearful view prevalent in the West. However, many surveillance cinema studies focus solely on European and Hollywood films, discounting other artistic traditions and industrial circumstances. Hong Kong's films show a more crowded, increasingly economically stratified, and postnational world that nevertheless offers an aura of hopeful futurity. Only by exploring Hong Kong surveillance film can we begin to shape a truly global understanding of Hitchcock's 'rear window ethics.' Biografía del autor Karen Fang is Associate Professor of English at the University of Houston and a member of the Film Committee for the Museum of Fine Arts in Houston.
Arresting cinema surveillance in hong kong film fang in arresting cinema, karen fang delivers a unifying account of hong kong cinema that draws upon its renowned crime films and other unique genres to demonstrate hong kongs view of surveillance she argues that hong kongs films display a tolerance ofand even opportunism towardsthe soft cage of constant observation, unlike the fearful view prevalent in the west Arresting cinema surveillance in hong kong film karen fang when ridley scott envisioned blade runners set as hong kong on a bad day, he nodded to the citys overcrowding as well as its widespread use of surveillance but while scott brought hong kong and surveillance into the global film repertoire, the citys own cinema has remained outside of the global surveillance discussion in arresting cinema, karen fang delivers a unifying account of hong Bing bing helps you turn information into action, making it faster and easier to go from searching to doing
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Detalles del Libro
- Name: Arresting Cinema: Surveillance in Hong Kong Film
- Autor: Karen Fang
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 17 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
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Arresting cinema surveillance in hong kong film book in arresting cinema, karen fang delivers a unifying account of hong kong cinema that draws upon its renowned crime films and other unique genres to demonstrate hong kongs view of surveillance she argues that hong kongs films display a tolerance ofand even opportunism towardsthe soft cage of constant observation, unlike the fearful view prevalent in the west Teach, learn, and make with raspberry pi raspberry pi our mission is to put the power of computing and digital making into the hands of people all over the world we do this so that more people are able to harness the power of computing and digital technologies for work, to solve problems that matter to them, and to express themselves creatively John woos a better tomorrow ebook por hong kong lee john woos a better tomorrow por hong kong university press disponible en rakuten kobo a better tomorrow has always been hailed as a milestone in hong kong cinema this book describes the different responses
Academiaedu share research academiaedu is a place to share and follow research join 130,052,317 academics and researchers academia is the easiest way to share papers with millions of people across the world for free Libro arresting cinema surveillance in hong kong film libro arresting cinema surveillance in hong kong film, karen fang, isbn 9781503600706 comprar en buscalibre ver opiniones y comentarios compra y venta de libros importados, novedades y bestsellers en tu librería online buscalibre colombia y buscalibros Review karen fangs arresting cinema surveillance in {written by abraham overbeeke, this review is part of the writing hong kong issue december 2017 of cha} {return to cha review of books and films} karen fang, arresting cinema surveillance in hong kong film, stanford university press, 2017 240 pgs as public debates around net neutrality legislation in the us or chinas strict monitoring of
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